Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the ninth Essential Theatre Festival, in 2007.

In 2007, we moved to a summer production schedule, and celebrated it in style with Mrs. Bob Cratchit’s Wild Christmas Binge by Christopher Durang. This rolicking comedy performed alongside Fix Me So I Can Stand, the Playwriting Award Winner by Jean Sterrett, and an ensemble-developed piece, Night Travels, both created by local theatre artists.

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the eighth Essential Theatre Festival, in 2006.

“thanks to Book of Liz, I’m back in love with theatre again.”

I have to be honest, I have no idea who said this, but it was in my show report from opening night, and as much as Fuddy Meers was a game changer for me as a person in theater, Book of Liz was a game changer for me with regard to Essential.

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the seventh Essential Theatre Festival, in 2005.

2005 found us back in the 7Stages black box. All three productions were a success, both well done and well attended. Karen Wurl, who won the Playwriting Award that year, was chosen Creative Loafing Atlanta‘s Best Local Playwright for her world premiere of MISS MACBETH in the Essential Play Festival that year.

“The pitch-perfect backstage satire mingled so cleverly with homages to ‘the Scottish play’ that the only tragedy of MISS MACBETH is that it needed to be longer — and how often can you say that about any play,

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the sixth Essential Theatre Festival, in 2004.

In 2004, the Festival was in the Top Shelf space at Dad’s Garage on Elizabeth Street. The 2004 Essential Theatre Playwriting Award winner was Lauren Gunderson’s Background, and the Essential Festival got a fair amount of publicity that year, particularly The Most Fabulous Story Ever Told, which appeared in the local Atlanta publications David Magazine and Southern Voice, and a lovely article by Curt Holman in the Creative Loafing about Lauren.

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the fifth Essential Theatre Festival, in 2003.

Karen Page’s play, Speaking Nazi, was the winner of the 2003 Essential Theatre Playwriting Award and premiered alongside David Lindsay-Abaire’s Fuddy Meers and Gregory Murphy’s The Countess.

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the fourth Essential Theatre Festival, in 2002.

2002 was a very successful year for Essential. The two regional premieres sold very very well. Both were directed by Peter, and, he recalls, “I was real happy with them.”

“Along with being a really good seller for us,” recalls Hardy of Betty’s Summer Vacation, “we had more people walk out on it than any other production, because it was really nasty at times.”

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the third Essential Theatre Festival, in 2001.

2001 was an important year for the Essential Theatre Festival: it was the third festival, but the inaugural year of the Essential Theatre Playwriting Competition and Award. The 2001 Festival was comprised of Cruel Disclosures by Bill Canning, Private Eyes by Steven Dietz, and the world premiere of the first Essential Theatre Playwriting Award Winner, Parts They Call Deep by the then-18-year-old Lauren Gunderson.

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Continuing our look back at the past 19 years of Essential Theatre festivals, today we take a look back at the second Essential Theatre Festival, in 2000.

Essential’s second Festival took place a year later, in January of 2000. This Festival featured Images in Smoke by Karla Jennings, A Lovely Undertow by Peter Hardy, and The Water Children by Wendy MacLeod. This was the year before the Essential Theatre Playwriting Competition began, but the Festival included two world premiere productions of new plays by Georgia playwrights.

Named one of the year’s fifteen best productions by Creative Loafing’s Curt Holman,

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With 20 days left of our 20th Festival power2give campaign and 20% of our funds already raised, we thought it would be extra-special to take a look back at where we’ve been. So today, we take a look back at the first-ever Essential Theatre Festival.

The time was January, 1999. The plays, Little Egypt by Lynn Siefert, Only Children by Karen Wurl* and Desdemona, A Play About A Handkerchief by Paula Vogel.

Not much survives from this first festival in terms of memorabilia – just a couple of photos and Artistic Director Peter Hardy’s recollections.

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Morningside, by Topher Payne, opens at the end of this month at Georgia Ensemble Theatre in Roswell, and it is absolutely rife with Essential names – starting, of course, with the playwright himself!

Directed by Shannon Eubanks, whose adroit direction Essential audiences got to enjoy during 2015’s world premiere of Lillian Likes It, more than half of Morningside’s cast have appeared on Essential’s stage in productions past, including Kelly Criss, Gina Rickicki, Ellen McQueen and Ann Wilson.

Described as The Women meets Steel Magnolias meets The Real Housewives,

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